Friday, September 12, 2008

Casa Rondeña

Casa Rondeña GrapesDid you know that New Mexico is the oldest wine-producing area in the United States? Settlers brought vines in the early 1600s, and the Catholic clergy oversaw the production of sacramental wine--it just took too long to transport wine from Spain to Mexico City up the Camino Real to Santa Fe.

There's nothing like a glass of wine with friends, outdoors, on a beautiful summer day! I had two lovely experiences in this category in recent months. Peggy, Ralph, and I had an afternoon adventure at the Santa Fe Wine Festival, held at El Rancho de Las Golondrinas Santa Fe Wine Festivaljust outside of Santa Fe. Thirteen New Mexico wineries were featured--a modest entrance fee got you a glass and a chance to sample a variety of wines from each winery.

Sunny skies, music, food, jewelry and local crafts, and an historical setting made it a memorable afternoon. My favorite wine was Black Beauty by Black Mesa, a red "New Mexico table wine" with chocolate added. I can just see you wine purists cringing, but the local paper reported the next day that it was the most popular wine at the Festival.

More recently, I went with a group of friends for a tour and tasting at Casa Rondeña Winery in Albuquerque's north valley.

Casa Rondeña Vintner HomeThe winery is in a beautiful setting--very Tuscan or Southern Californian.  It is quite new, but the buildings were built to look old, and the combination of the heady scent of the grapes, the sun shining on the tile roofs, and the beautiful landscapes in which the vines, the pressing and bottling operations, and the owner's residence are nestled made for an idyllic adventure.

We got a chance to see pressing and aging, though no bottling, and then had a tasting around a circular table with a variety of wines, and cheeses selected to complement each.

I bought a couple of bottles of the 2007 Serenade, 87% Riesling and 13% Gewurztraminer, and a bottle of Chocolate Cabernet Wine Sauce (gee, there's that chocolate thing again!).

Think sun and summer and friends and wine.....

Casa Rondeña Winemaking Facility

Casa Rondeña Wine Pressing

Casa Rondeña Wine Barrels

Casa Rondeña

Friday, August 29, 2008

A Eulogy for Robert T. Beyer, 1920-2008

Robert T. Beyer

This is the eulogy I delivered for my father at his funeral service on August 23. Click here to read the full obituary written my brother.


We’re here today to celebrate the life of Robert Beyer.

My father was a great man—in many ways both public and private.

He was a great husband to my mother.

He meet Ellen early in their college careers at Hofstra, and she was the only woman he ever loved. He loved her deeply and devotedly until the day she died, and her passing left a big hole in his life.

He wrote her sonnets and love poems, washed the dishes and the kitchen floor, and never forgot her birthday or their anniversary.

He was a great father, and a proud and loving grandfather.

He set high standards for all of us—but was always there to support us when we faltered. He was the father of a son and three daughters—and my sisters and I so valued his quiet feminism—encouraging our college choices and our career options—always proud of our accomplishments—never expecting anything less or anything different because we were women.

My mother never drove, so my Dad chauffeured all of us to school and various other activities—I can remember him coming to pick me up after CYO dances—sitting outside in the car grading a stack of papers under the dim interior car light.

He was invariably up to date on the exploits of his seven grandchildren—as proud of the youngest’s coloring as of the older ones’ college studies and careers.

He was a great citizen.

He was always well-versed in the backgrounds of all the political candidates, and made careful voting choices. He served his country for years as a CIA contact for potential defectors among Soviet scientists—a secret he kept from us for forty years. He had come from a family of proud and vociferous Democrats and the autographs of Franklin Roosevelt and Adlai Stevenson hanging on the wall of his study were treasured possessions. I remember he cried when John F. Kennedy died—I had never seen him cry before, but JFK was an Irishman and a Catholic of his own generation.

A few years ago, when he was recovering from surgery, and in and out of consciousness, we asked him if there was anything we could get him. “Just get me a piece of paper that says George Bush is no longer president of the United States,” he said.

He was a great Catholic, and an incredibly ethical and moral man.

There was never, in our home, any expectation that we would not obey our parents, practice the golden rule, keep all our promises, be truthful on our taxes, share with those less fortunate, and go to Mass on Sunday. Dad was a lector for many years at St. Martha’s and here at St. Sebastian’s, and possessed a deep and unshakeable faith. He put his faith into action as a committed civil rights activist—traveling frequently to Tougaloo College in Mississippi in the sixties to support integration activities there. But he also demonstrated his faith every day by his language, his honesty, his behavior, and his genuine respect for every other human being.

His former pastor at St. Martha’s, Father Jude, told us on Thursday that he would see my Dad in Heaven. “And if he’s not there,” he said, “I don’t want to go.”

He had a great mind.

Growing up, I knew my Dad knew everything. He was never too busy to share, and he never talked down to us. A question to Daddy always went something like this. Me: “Daddy, why do I have these blue lines under my skin?” Daddy: “Let me tell you about the structure of the cardiovascular and circulatory systems.”

He had the intellectual curiosity of a child—always looking at the world through bright and shining eyes.

He could read and write in German, French, Russian, Latin, and a smattering of Chinese. He’s the only person I know who read Dr. Zhivago in Russian, and Proust in French. He edited the English language translation of a Russian physics journal--I can remember him sitting in his office at home, with an article in Russian in front of him, reading the English translation into a tape recorder.

He loved puns and wordplay. He loved opera and theatre and fine food and museums and world travel. He loved Sherlock Holmes and the New York Yankees.

He told jokes and stories with the Irish gift of gab—and it was always the right story for every occasion. A couple of weeks ago, I was working on some research about Eleanora Sears, an early 20th century long distance walker. I asked him on the phone if he knew who Eleanora Sears was. “Ah, Eleanora,” he said. “When I was a child, I had a primitive movie player and one of the film strips was of her walking from Boston to Providence in 1926—there she was, striding along.”

He wrote poetry for my mother, and wonderful speeches, and letters to his children that would break your heart. He could recite quotes from Shakespeare, baseball statistics, mathematical theorems, and the names of all the motels we stayed in our way to California in 1953.

He was a great teacher and mentor.

He was a full-time faculty member in the physics department at Brown for forty years, and part-time for another ten.

He advised and counseled generations of doctoral students—as with his own children, he established high standards for performance but was there with a helping hand, and some fatherly advice, if one of them was struggling.

But he didn’t just stay in the ivory tower. He also taught freshman physics, and used to cause quite a splash demonstrating principles of physics in a huge lecture hall—entering the room by riding a tricycle down an incline plane, or inhaling helium and starting his lecture with a chipmunk voice.

He taught courses for eight years at Laurel Mead where he lived since 1999. He started with a physics course, but wisely saw the limited appeal of advanced science in that setting, and moved on to his second great love—history. He taught a course in Russian history and a three-year course in the American presidency. He finished teaching a course in the Civil War less than three weeks ago—and told us it would be his last—it was getting too hard for him to lecture. I firmly believe his love of learning, his sense of duty, and his commitment to his students enabled him to complete that effort.

He had a great will and a great spirit.

His heart was damaged by two bouts of childhood rheumatic fever. He was tutored at home through high school because he was too sick to go to school. He wasn’t supposed to live to be 21, but his spirit and will always more than compensated for his weakened body. Though he suffered from damaged heart valves, multiple sclerosis, a lost kidney, and a variety of other ailments, he never ever complained, and was always ready with a joke or a quip about his situation. He came back from near-death so many times over the years that we somehow believed he would never die. His determination and his will to live—to do what he needed to do to make it back—were mind-blowing.

And he was a great physicist.

His doctoral research at Cornell was classified by the U.S. Government for years after he received his degree, so he had to start a whole new line of study. During his career he wrote four books, co-wrote three others, translated or edited several more, and authored more than 75 scientific papers. He finished his last book, The Sounds of Our Times, a history of acoustics, when he was nearing 80. A reviewer had this to say:

"To produce a coherent and enlightened summary of two centuries of work in any science requires a very special person: One who not only understands it all, but who has taught it all, and has personally contributed to its development; one with the patience and scholarship to research it all, historically and technically. Such a person is Robert T. Beyer. No wonder the resulting book is so remarkable and informative. A very hard-to-follow world class act.....”


I believe he was a man who had no regrets about the way he lived his life—as a husband, a father, and a grandfather; as an American; as a Catholic; as a teacher, mentor, and colleague; and as a truly good man.

And now that glorious mind, and that mighty spirit, are free from this mortal coil, and can join my mother again, and forever. And I say to him what my brother and sisters said to him often in these last few years:

Bye, Daddy. I love you.

Robert T. Beyer, Ellen Fletcher Beyer

Sunday, August 03, 2008

Governor Lew Wallace

Ben-HurLew Wallace may be best-known as the author of Ben-Hur, which he wrote in 1880 (and which has never been out of print since). But he was also Territorial Governor of New Mexico from 1878-1881, and he wrote the final chapters of his best-seller by candlelight in the Palace of the Governors on the Santa Fe Plaza.

Wallace was a 19-year-old law student in Indiana when the Mexican War broke out in 1846. He interrupted his studies to take a commission in General Zachary Taylor's army, though he saw little (if any) combat there. After the war he returned to Indiana and was admitted to the bar in 1849.

Civil War General Lew WallaceAfter terms as a prosecutor and state senator, he was commissioned a colonel at the start of the Civil War, and had been promoted to major general by March, 1862. Due to what may have been communication problems, he was blamed by Grant for the loss at Shiloh. This loss, and the resulting damage to his reputation, haunted Wallace for the rest of his life. Some historians now feel that Ben-Hur told a thinly disguised story of Wallace's own life in that regard.

He was able to redeem himself somewhat by his delaying actions at the Battle of Monocacy, which held off Jubal Early's assault on Washington, DC long enough for the city to mount a defense.

His legal background and reputation for honesty landed him on the military commission that tried the Lincoln assassination conspirators, and he also helped to preside over the Andersonville court-martial. After the war he traveled to Texas and Northern Mexico to raise arms and money to help Benito Juarez in his attempt to win Mexican independence from Emperor Maximilian. His arrangements with Juarez forced him into deep debt, and he returned to Indiana to practice the law, write novels, and engage in an unsuccessful run for a Congressional seat.

During this period, Wallace was named to a committee responsible for counting disputed ballots in Florida after the 1876 presidential election. (Some things never change!)

In 1878, he was named Governor of the Territory of New Mexico. It is likely that the goal of sending Wallace to New Mexico was to clean up the corruption and lawlessness there. His predecessor, Governor Samuel Axtell, was accused of corruption and was involved with the infamous Santa Fe Ring. While Governor, Wallace apparently offered William Bonney (aka Billy the Kid) a pardon in return for testifying in the trial of men involved in the "Lincoln County War", but the Kid didn't uphold his end of the bargain.

Letter from Billy the Kid to Lew WallaceLater Bonney would try unsuccessfully to elicit Wallace's support, as shown in this letter from 1881 (six months before Bonney was shot to death by Sheriff Pat Garrett).

While Governor, Wallace lived with his wife, Susan Arnold Elston Wallace, in the Palace of the Governors in Santa Fe, and was the first to realize the historic significance of that building (which is the oldest continually-occupied public building in the US). He lobbied for its renovation in Washington, DC, and while he wasn't able to effect any change during his tenure, he planted the seeds for future efforts.

He also realized the value of the historical documents stored there from the Spanish and Mexican governments (documents his wife had discovered in a dusty unused office in the Palace) and hired a Spanish-speaking archivist to start work on the monumental task of organizing these materials.

From 1881-1885, Wallace served as US Ambassador to the Ottoman Empire, after which he and Susan returned to Indiana where he wrote two more novels.

Wallace, a true Renaissance man, holds patents for eight inventions (including a fishing pole with a reel inside the handle and two kinds of pads to reduce vibration and noise from railroad tracks). He also played (and made) violins and painted large canvasses.

The Land of the PueblosHis wife was also an author--she published six books, some of which were illustrated by Wallace. One of her most popular books was The Land of the Pueblos--her 19th century white woman's interpretation of life among the Spanish and Indian residents of the Southwest.

Wallace is memorialized in Santa Fe by the Lew Wallace Building. The building itself was built in 1887 as a dormitory for St. Michael's School, but was acquired by the state in the late 1960s, and now serves as offices for the State Engineer and the Department of Tourism.
The Lew Wallace Building Santa Fe
For More Information

The website of the Lew Wallace Museum in Crawfordsville, Indiana has some nice informal photographs of Wallace, and articles about Wallace geared towards young readers.

More detailed information about Wallace's time in New Mexico can be found on the website of the Indiana Historical Society. There are lots of wonderful images in their digital library of Billy the Kid's letters to Wallace, along with other historical documents of the period.

Tuesday, July 29, 2008

Movie Update: Swing Vote and Kites

Kevin Costner Swing VoteKevin Costner's Swing Vote opens on August 1. Last September, during its New Mexico filming, I had the opportunity to be an extra in five hours of filming at the Santa Fe Rodeo Grounds. So look for me (haha) in the stands at the Rodeo--behind Kevin Costner (but waaay up and over) as he questions the candidates on stage.

Click here and here to read my two previous posts on the filming of this movie.

I also read in Sunday's paper that the Bollywood film Kites, with Hrithik Rosan, is scheduled to start filming in Santa Fe this week. Click here to see my previous post on this film, featuring photos and video of Hrithik, who some call "the Brad Pitt of India".

Saturday, July 26, 2008

Chihuly in San Francisco

Chihuly PersiansLast week I traveled to San Francisco, ostensibly to see the Frida Kahlo exhibit at the MOMA, which was lovely. Since we were there in the city, we went the next day to the DeYoung to see the Dale Chihuly glass exhibit, and I was truly blown away by this show, which is the largest he's ever done. We were treated to eleven rooms of spectacularly colored glass in fantastic formations, with a theatrical presentation that included lots of dark backdrops, mirrors, and lights.

We were encouraged to take photos (sans flash) and I took quite a few, though the flat representations don't quite do justice to the impact of each of the rooms. I just wanted to lose myself in each space!

Chihuly Tabac Baksets
The photos above and below were taken in the "Tabac Baskets" room which showcases Chihuly's enormous collection of Pendleton blankets (rows and rows on ascending dowels) and woven Northwest coast native baskets, displayed with pieces of glass that echo the styles, shapes, and colors of the baskets.

Chihuly Tabac Baskets
The next two photos were taken in a room where two antique rowboats from Chihuly's collection(s) were filled with glass and displayed on a mirrored surface in a darkened room. One is full of glass balls inspired by Japanese fishing floats, the other with phantasmagorical glass beings--like some outer space craft!

Chihuly Float Boat
Chihuly Float Boat
This next piece was hung in a roomful of hanging chandeliers. Each piece had been shipped to the site disassembled--and then assembled in place (something like putting together an artificial Christmas tree).

Chihuly Chandelier
A roomful of black glass.....

Chihuly Black Glass
In the next room, shown in the photo below, the ceiling had been lowered and then glass installed and lit above it. Apparently, Chihuly has a swimming pool at his studio where glass is mounted in the same way at the bottom of the pool--fantastic! It's hard to show in a photo but there are all sizes and shapes of glass including cherubs and starfish who float peacefully among the other elements. On the audio tour for this room, Chihuly said he didn't know how many pieces of glass were mounted there--maybe a thousand? Wow!

Chihuly Glass Ceiling
In a film accompanying the exhibit, Chilhuly talked about how he started making the "putti"--click here to see a bit more about the process on Chihuly's website.

My last two exhibit photos are of a 56-foot long glass garden called "Mille Fiori" (1,000 Flowers). Chihuly is apparently inspired by his mother's garden in Tacoma when he creates these floral exhibitions. (I love tributes to Moms!)

Chihuly Mille Fiori
Chihuly Mille Fiori
So given my obvious enthusiasm for this exhibit, imagine my surprise on finding the quite snotty review in the San Francisco Chronicle. The reviewer calls the show an example of "empty virtuosity", and surmises that it is probably not art because it has no intellectual content and does not hold the attention of "educated viewers". In his view, the art is simply a collection of knickknacks. Ouch!

Dale ChihulyChihuly, who is originally from Tacoma, Washington, holds an MFA from the Rhode Island School of Design (yeah for RI--my home state!) and studied Venetian glass techniques on a Fulbright Fellowship in Murano after graduating. He currently lives and works in a 25,000 square foot studio, a former boathouse on Lake Union in Seattle. (I imagine this must be a spectacular place--with the collections discussed above, the swimming pool with glass at the bottom, and all the glassmaking activities going on.)

He lost his eyesight in one eye in an auto accident in 1976, and wears an eye patch which gives him the air of a cheerful pirate. Because of the resulting depth perception problems, he can no longer handle the molten glass himself. He conceptualizes his ideas on canvas (some of which were shown in the exhibit), and then works with teams of glass blowers to execute the compositions.

According to a tour guide, the glass for the DeYoung exhibit arrived in 10 semi trucks, and took 19 people to assemble. The exhibit is only at the DeYoung--it's not traveling--and it will only be there until September 28.

Photo Credits

Photo of Dale Chihuly courtesy of Chihuly's website.

Sunday, July 13, 2008

Mermaids at the Market

Santa Fe Folk Art MarketThis weekend was the fifth annual International Folk Art Market in Santa Fe. Another beautiful day on Museum Hill! According to today's newspaper, the market attracted 10,000 visitors yesterday, and sales are expected to exceed last year's.

I wrote extensively about the market last year and this year was equally wonderful. Bus service (from the state parking lots downtown out to the museum grounds) was significantly improved, and more buses and better traffic patterns meant shorter waits and happier customers! (I love it when something doesn't go that well, and people actually pay attention and fix the problem next time around!)

Santa Fe Folk Art MarketThis year's market included folks from countries not previously represented, including Mongolia, Rwanda, Kenya, and El Salvador. According to the market brochure, artists are able to "participate in a series of pre-market workshops on sales, pricing, packaging, and marketing, with a new focus on Internet marketing."

In addition, the market has created an internship program that this year trained four African women to lead markets in their own countries. The women are discussing the possibility of collaborating on a combined southern African market.

The market estimates that an average of $15,000 goes home with each artist or coop represented. Surveys show that profits from the market have paid for clean water, teachers and school supplies, plows and goats, buildings and soccer uniforms.

This year's purchases included two Ecuadorean beaded collars made by Fundación Warmipak Wasi, a women's cooperative of Saraguros in highland southern Ecuador.

Santa Fe Folk Art Market  Beading
According to their handout, the Saraguros are "descended from the Incas and are characterized by distinctive clothing and cultural traditions. They grow most of their own food . . . and herd cattle to support their daily life. But the 21st century requires that they also earn money to pay for their family needs and the education of their children. Warmipak Wasi is the Kichwa rendering of The Women's House or Casa de la Mujer. This is a shelter home for abused women from the Saraguro area, and offers services to women of all origins: indigenous, white, and mestizo. . . . Many of the women who come to the shelter learn to support themselves through the making of embroidered blouses and beadwork pieces worn traditionally by indigenous women."
Flor Maria Cartuche, EcuadorFlor Maria Cartuche, whose picture is shown here, is representing the cooperative at this year's market. She designed and sold bead collars to help fund her college education, and is now studying law.

I also purchased two Uzbek pottery pieces which are made in the village of Rishtan from local clay. According to the market brochure, these blue Santa Fe Folk Art Market, Uzbek Ceramic Potteryceramics "have been famous for centuries. Forms are made on a foot-kicked pottery wheel, then hand painted and glazed with metal oxide. When the collapse of the Soviet Union closed the local factory in 1998, Rustam Usmanov, Rustam Usamov, Uzbek Potter who designed patterns there, continued production in his home workshop. . . . Usmanov and his workers combine traditional forms and designs with original shapes and motifs. His work is exhibited at the Hermitage Museum."

My final purchase was another oil drum sculpture made by artist Winzor Gouin. I wrote about Winzor in last year's post; this year I purchased three diving mermaids--I plan to hang them over my bathtub so they look like they're diving in!

Winzor Gouin oil drum sculpture

Photo Credits

I loved the Brazilian dolls (note in the photo at the top of this entry that the three women are black, white, and indigenous!) but they were out of my price range. Maybe another year!

The second photo is a small section of a large silk rug which was on display.

Tuesday, July 08, 2008

Butterfly on Canyon Road

Butterfly, Canyon Road GalleryYesterday, Peggy, Ralph, and I went up to Canyon Road to explore a few art galleries and have lunch at The Compound. So many of the galleries have beautiful gardens--some in front where they are visible from the street, some in back--little hidden gems.

Patricia Carlisle Fine Art has both--a series of little gardens in the back with sculptures and fountains, and a lush fragrant garden in the front. On my way out, I stopped to admire this beautiful butterfly; as I watched, it folded itself up tight and went about half-way down into a day lily to take its fill of nectar.

The Gallery was just finishing mounting a fun display of art by Melinda Hall. Click here to see the artworks.

Wednesday, June 25, 2008

Bollywood and Santa Fe Together!

Hrithik RosanPhoto courtesy of fan site kites-themovie.com
In late July, the Bollywood movie Kites is expected to start filming in Santa Fe. The movie features Indian star Hrithik Rosan (pronounced Rith-ik Rose-n if you want to sound Bollywood-knowledgeable) and Kangana Ranaut, as well as Latin American actress Barbara Mori. (According to preproduction rumors, Kangana plays his wife and Barbara his mistress.)

For those of you who can't get enough Hrithik, here he is an Acer TV commercial:



I do have this wonderful image of a big Hindi song and dance number on the plaza--probably too much to hope for!

Check out my other posts on Bollywood and movie-making in Santa Fe:

The 3:10 to Yuma, posted 01/27/07

Intercollegiate Bollywood Competition, posted 07/26/07

Kevin Costner's Swing Vote, posted 09/22/07

Kevin Costner Fans, posted 09/22/07

Monday, June 23, 2008

Little Lizards

New Mexico LizardOne of the charming features of my yard in Santa Fe is that several little lizards live here (or at least visit frequently). They can sometimes be seen sunning themselves on a stucco wall, but more often they are darting across the yard at 90 miles an hour--clearly distressed by my presence.

That's why it was so phenomenal to find this little guy (or gal?) posing for the camera this week. I first noticed the underbelly from the inside of the screen, and was able to get my camera, get outdoors, focus, and snap a couple of photos before I scared him (her?) off.

I'm not very good at lizard identification--I first thought it might be a New Mexican whiptail, but now I'm waffling on that claim. (The whiptail is an interesting lizard because there are only females--they reproduce by essentially cloning themselves.)

Sunday, June 01, 2008

Animal, Vegetable, and Mineral Report

Starting with mineral--the snow at the Santa Fe Ski Area is just about gone. When I drive down Cerrillos in the morning I can see the mountains which are snow-capped from some time in the fall (late October or so) to some time in the spring. There is just a tad still there--must be on the shady side of the mountain....

A bear was sighted on the college campus a couple of weeks ago--apparently forced to forage further down in the valley due to a long winter and late spring. Caused quite a stir!

Prairie dogs are available for viewing all over the college campus. NYC-based playwright Israel Horovitz, who comes to us each June to direct an early staged reading of a new play, has described them as "rats with cuter outfits." Lots of groups in Santa Fe protesting inhumane prairie dog treatment. There are women who feed them, and any contractor who builds in a prairie-dog-inhabited area has to plan for "relocation". A prairie dog even has a feature role in the new Indiana Jones movie! Try to imagine this happening in other cities with other varieties of rodents!

Santa Fe Farmers' MarketWonderful local meat, cheese, and vegetables available at the Santa Fe Farmers' Market yesterday. Bought some grain-fed beef and pork sausage from Casa Verde Graziers, goat cheese with raspberry from South Maintain Dairy in Edgewood ("it's all about the girls") which the producer told me was "best eaten right out of the dish with a spoon--when you've 'had a day'", mixed salad greens and baby spinach, and some Taos tomatoes. Click here and here to read my previous posts on the Farmer's Market--it really is an out-of-body experience!

Planted some salvia in my garden earlier this week and it hasn't died yet. Happy summer!!
Salvia in Santa Fe